Colin Rowe and Robert Slutzky. Transparency: Literal and Phenomenal p ‘Transparency,’ ‘space-time,’ ‘simultane- ity,’ ‘interpenetration. Two Modes of Transparency: Literal & Phenomenal. The key aspect to Rowe and Slutzky’s seminal essay on Transparency: Literal & Phenomenal, is the .. Colin Rowe and Robert Slutzky in their essay ‘Transparency: Literal. ‘tltlder the tille “Transparency: Literal and Phenomenal”. The significance of this lematic of Colin Rowe and Robert Slutzky’s co-authored writings under the title.

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The filtering and penetrating effect of light through translucency achieves a layered glowwhere natural light passes phenomfnal, slows down, softens, bleeds and diffuses from one space to the next, from exterior to the interior, and through different layers of the interior, creating a superimposed overlapping aand effect, bringing daylight further and deeper into the space.

Eye vs Mind, Looking vs Reading. Recent Posts AD1 Queenstown: The concepts and conditions of transparency parallel movements of Relativity theories and their implications; where space-time relativistic thinking allows for two objects to co-exist simultaneously in the same space and time, as such transparency is a space-time condition of betweeness, a simultaneous perception of space.

Nothing is left to the imagination since the transparency of the planes allows the viewer to see through each layer. The perforous screen like the diaphanous veil or the layered transparent planes simultaneously reveals and conceals, connects and divides in a mode of contiguous discontinuity.

Transparency: Literal and Phenomenal

You trasparency commenting using your Twitter account. By continuing to use this website, you agree to their use. The two modes of transparency can be combined, fused and integrated to achieve a doubling of transparency, a simultaneity of modes of transparent operations. Henry Plummer describes Atomization as the sifting or filtering of light through a porous screen Phennomenal, With this set of evidence, Rowe sets out his basic tenets that define transparency:.

Two or more transparent figures overlapping each other produces a contradiction or ambiguity of spatial dimensions ; simultaneously seeming to advance or recede, appearing closer or further, where space continuously fluctuates and oscillates.

In this way, Rowe defines literal transparency as tansparency physical translucence inherent in a material or structure.

Sorry, your blog cannot share posts by email. Here the actual and the implied relationships of transparent modes or operations are seen in opposition to each other, creating phehomenal dialectic or double overlapping readings of planes and spaces.

A transparent medium, substance, or matter allows, permits, and invites light, air, and sight to penetrate through. This site uses cookies. Plummer in his description of pulverized light mentions.


Hence, there exists two modes of transparency, two modes of layering, the Transpaeency of Planes and the Layering of Spaces. This site uses cookies.

The real wall and building mass appear to fade awayleaving behind a mesmerizing sensation of energy that seems to vibrateā€¦.

Literal and Phenomenal, The mathematics of the ideal villa and other essays. Two Modes of Transparency: The inner linings of these detached phfnomenal or baffles can be made reflective or coloured, which in turn will have an effect on the redirected light. The Futurist artist, Umberto Boccioni, in his representation of movement, studied and employed the simultaneity and consequent interpenetration or compenetration of planesforce-lines, and the decomposition of objects, in order lireral produce dynamism in both painting and sculpture Coen, Rowe argues that phenomenal transparency has just the same effect on the brain.

Below are two paintings that demonstrate these notions of transparency.

Plummer refers to the Canalization of light as being the channeling of light through amd mass, where artificial routes, labyrinths, and tunnels are carved out for natural forces to penetrate the inner depths of a building. Conversely, phenomenal transparency exists when a designer deliberately abstracts space, not through the use of overlaying transparent planes, but through the reorganization of multiple spacial grids that would normally define a plane.

Filtering and diffusing light through perforous phenomenak screens or facades, creating a myriad of patterned shadow effects as the sun changes its position during the course of a day. They blur their arbitrary boundaries.

Transparency: Literal and Phenomenal | Arch

One sees through, sees pass the overlapping glazed or meshed facades, exterior and interior, and one reads and interprets the layered spatial arrangement. By continuing to use this website, you agree to their use. The figures are endowed with transparency: As can be seen from the dictionary definitions, the term transparency implies the optical or observational notions of showing or seeing phenommenal. Having the property of transmitting light without scattering to that the objects lying beyond and behind are seen clearly; allowing passage of a specified form of radiation; fine or sheet enough to be seen through-diaphanous.

Translucency is where light sifts, filters and penetrates through the successive additive effects of layered, stacked, overlapped or superimposed planes, glazed surfaces, films, or veils.

A doubling litreal transparency, both literal and phenomenal, perceived and interpreted. This continuous fluctuation of interpretative readings reaffirms the notion of seeming, or what will be later referred to as an implied transparency, as opposed to a real or actual transparency.

Transparency however implies more than an optical characteristic, it implies a broader spatial order. Mesh screens or other finely patterned porous facades have the capability to disintegrate objects into light and air. Screens could be more porous or less porous according to the desired or necessary amount of solar exposure. Rowe and Slutzky makes a distinction between two types, modes, or conditions of transparency in their seminal essay transparenxy Transparency: Light can be explored to enhance form, make form more pronounced, or alternatively, light can be manipulated to dematerialize form, eat away at the geometry, and make form less distinct.

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Perceptual vs Conceptual Transparency: Hence, phenomenal or conceptual transparency is achieved, following what Rowe and Slutzky mentioned with regards to the notion of tdansparencythat is, the lkteral layering of frontal planes and spaces.

Dematerialization is the dissolution of matter through or by light, where thick, heavy, and massive, construction or cladding appears to be dissolved, eaten, or consumed by light itself. This reiterates the notion of transparency as a seeing- or passing-through, that is, a journey, a penetration, or a passing through of the gaze. Leave a Reply Cancel reply Enter your comment here Furthermore, the literally transparent is best viewed at an oblique angle hence the diagonal, two point perspective trransparency the photograph in order to define space in a more complex way.

Rowe and Slutzky, quotes Gyorgy Kepes for defining transparency as a result of transparent figures interpenetrating each other without optical destruction, but transparency also implies something broader than optical effects, as it also includes spatial effects. After his study of cubist paintings, Rowe necessarily turns to the world of architecture in order to more thoroughly expound his notions of three dimensional transparency of space.

This interpretive study can be seen as a forerunner to his trxnsparency investigative projects of layering planes and roqe, seen especially in his early house projects. By breaking up and mixing spacial planes, designers are able to complicate the notion of physical space and do not need to rely on transparent materials to reveal the volume gowe behind a fasade.

Transparency | Architecturality

This overlapping and interpenetrating of figures conjures an ambiguity or contradiction of spatial dimensions. These transparent planes, objects, or surfaces interpenetrate each other. Indirect daylighting explores the articulation of transpsrency formlessness of light.